![]() ![]() However, when we choose to pursue God’s heart and His ways, we submit ourselves to His righteousness through obedience. ![]() Romans 8:15 KJV Submission to God is a key to spiritual freedomĪs long as we serve sin or iniquity in any area of our life, in that area, we are in bondage to sin and death. God takes this position a step further in His Word, and says that not only are we citizens but accepted sons and daughters of God!įor ye have not received the spirit of bondage again to fear but ye have received the Spirit of adoption, whereby we cry, Abba, Father. This freedom sets us in a position of being accepted by God, as a ‘citizen’ of God’s spiritual kingdom. (as a citizen), not a slave (whether freeborn or manumitted), or (genitive case) exempt (from obligation or liability):-free (person), at liberty. ![]() The word ‘Free’ in this scripture as defined from the original Greek text is this: unrestrained (to go at pleasure), i.e. If the Son therefore shall make you free, ye shall be free indeed. Spiritual freedom is an opportunity we’ve all been givenĬhrist Jesus came to offer an opportunity for us to be freed from oppression and from the curse of sin and death and to live in wholeness and spiritual freedom. But what does true spiritual freedom look like? God provides truth in His Word that helps us overcome the enemy’s works and oppression in our lives and leads us into spiritual freedom as overcomers. Whether it’s spiritually, as in fear, stress, rejection, guilt, and bitterness or physically, as in diseases, disorders, and infirmities. Most of us are very aware of what it looks like and feels like to be emotionally or physically oppressed in our humanity. ![]()
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![]() ![]() Then Rostropovich came to England when I was 13 and my prayers were answered, since it was he who introduced the world to so much new repertoire. The pieces one heard on the radio were pretty much always the same - the Dvorak Concerto, the Haydn concerti, and so on, and I grew impatient hearing them over and over again. It was through this process that I became interested in lesser known works. I’ve still got a bunch of those old reel-to-reel tapes, even though they probably don’t work anymore. ![]() When I was around 11, I started taping music off the radio that contained a solo cello. I never felt like playing was a chore, it was more like a pleasurable hobby, and I practiced longer and longer as I became increasingly interested in playing. My mother immediately went out and brought home a 1/8-size cello and I took to it right away. It looked so natural, especially when compared with the violinists. I was fascinated by the look of it, and by the look of somebody playing it. One day my mother took me to a children’s concert at Festival Hall in London and I saw a cello in the orchestra. ![]() JLW: My mother tried to start me on the piano when I was four years old, with her as my teacher, but as is often the case, studying with one’s own parent isn’t a great idea. TJ: Did you go through a series of instruments before choosing the cello? Needless to say, my home was a noisy place to live. There was even a concert pianist, John Lill, who lived with us. TJ: I would imagine you were surrounded by music as a child? She used to teach young children the piano, specializing in four- to six-year-olds. He adopted it professionally to avoid confusion with another organist, William Webber. TJ: Is your last name “Lloyd Webber,” or is there a tradition in your family of using the same middle and last names? Your brother, Andrew, also shares this. At the very end of his life - he died in 1982 - he started writing again, and several recordings of his works have come out in the last few years. He went into academia and became a professor at the Royal College of Music, and then he became the director of the London College of Music. His music was very melodic and romantic, all the things that music in the 1950’s wasn’t, so he felt completely out of step with the times. He started out as an organist and composer, but he virtually stopped composing when music took its modernist turn in the 1950’s. TJ: There is a picture of William Lloyd Webber on your website. Julian’s recording of the Glass concerto with the Royal Liverpool Philharmonic conducted by Gerard Schwarz will be released on the Orange Mountain label in September 2004. Recent concert performances have included three further works composed for Julian: Michael Nyman’s Double Concerto for Cello and Saxophone on BBC Television, Gavin Bryars’ Concerto in Suntory Hall, Tokyo, and Philip Glass’s Concerto at the Beijing International Festival. Julian has given more than fifty works their premiere recordings and has inspired new compositions for cello from composers as diverse as Malcolm Arnold and Joaquin Rodrigo to James MacMillan and Philip Glass. Julian’s twenty-year partnership with Philips/Universal Classics has produced many outstanding recordings, including his Brit-Award winning Elgar Concerto, conducted by Yehudi Menuhin (chosen as the finest ever version by BBC Music Magazine), the Dvorák Concerto with Vaclav Neumann and the Czech Philharmonic, Tchaikovsky’s Rococo Variations with the London Symphony under Maxim Shostakovich, and a coupling of Britten’s Cello Symphony and Walton’s Concerto with Sir Neville Marriner and the Academy of St Martin in the Fields, which was described by Gramophone magazine as “beyond any rival.” Julian has also recorded several highly successful CD’s of short pieces for Universal Classics, including Made In England, Cello Moods, and Cradle Song: “It would be difficult to find better performances of this kind of repertoire anywhere on records of today or yesterday” – Gramophone. ![]() Widely regarded as one of the most creative musicians of his generation, Julian Lloyd Webber has collaborated with an extraordinary array of musicians, from Yehudi Menuhin, Lorin Maazel, Neville Marriner, and Georg Solti to Stephane Grappelli, Elton John, and Cleo Laine. ![]() ![]() No, the Give-N-Gos weren’t quite as fresh as something that came out of the washer at home, but they were more than passable. Using this technique, the pairs were dry by morning. We did this by folding a bath towel in half lengthwise, laying the underpants flat on the towel, rolling them up, sitting on the rolled-up towel for about 30 seconds, and then hanging them to dry. To care for our underwear on the go, we simply rinsed (tip: add a wash like this to your travel kit), wrung out the extra water and put the shorts through a manual dryer. The 2.0, updated with a fabric blend of 89% nylon and 11% elastane, breathes well and wicks moisture efficiently, but our staff’s hands-down favorite feature is the rapid dry time, which we put to the test on a spring road trip. Whenever I travel, I always bring these.” These are comfortable, durable and breathable. As one customer reviewer notes, “It’s true to its claim. ExOfficio claims two pairs of the Give-N-Go can cover a six-week international trip, and we believe it. It’s a can’t-go-wrong design that stays comfy and fresh on the long haul. The undies have evolved over the years, but the DNA remains the same as ever: slightly stretchy gridded polyester with a wide waistband and fly. Those who have been co-op members long enough may remember a time when the men’s underwear section essentially only had one choice, and it was the OG version of the ExOfficio Give-N-Go boxer briefs. Best Men’s Underwear for Everyday Wear: Patagonia Sender Boxer Briefs.Best Men’s Underwear for Layering: Smartwool Merino Sport 150 Boxer Briefs.Best Men’s Underwear for Hot Weather: SAXX Hot Shot Boxer Briefs.Best Men’s Underwear for High-Output Activities: Icebreaker Anatomica Cool-Lite Boxers.Best Men’s Underwear for Travel: ExOfficio Give-N-Go 2.0 Boxer Briefs.Staff Picksįind our quick recommendations here or read on for our staff and members' favorite men's underwear. Whether you need a pair for traveling, working out, layering under base layers or tackling warm-weather adventures, we’ve got you covered. ![]() In the market? Start here, with our staff and members’ favorites. Not only will it feel more comfortable-think about the first time you tried high-thread-count sheets-but the moisture-management features will change your life. And when you add in complexities like pack hipbelts and sweat, it may be worth investing in something that’s more technical than your standard triple-pack of cotton undies. Your underwear is the first piece of apparel you put on and the last piece you take off, so it gets more next-to-skin time than most other garments in your closet. 4 Reviews 4 reviews with an average rating of 4.5 out of 5 stars ![]() ![]()
![]() ![]() To put together this definitive list of the best skincare products of all time, we consulted dermatologists to ask about their favorite brands and formulas, and included those recommendations alongside the GH Beauty Lab's top-tested skincare products across categories. Then these data points are culled together to determine the best skincare products you can buy, from face cleansers to moisturizers, serums, eye creams, sunscreens and more. ![]() ![]() Flawless is an everyday maintenance clean up tool, designed to look like a lipstick but contains the finest German engineered technology that microscopically. They also distribute the products to consumer testers, who evaluate them on ease of use and the look and feel of their skin after a set time period. Finishing Touch Flawless is the revolutionary facial hair removal device that erases hair instantly and painlessly without the irritation that comes with plucking, waxing or depilatories. In the Lab, our scientists use devices that evaluate skin's hydration levels, firmness and the appearance of wrinkles, dark spots and pores, both before and after use of a formula. The GH Beauty Lab thoroughly evaluates skincare products using technical Lab instruments and consumer feedback. That's why our Good Housekeeping Institute Beauty Lab scientists are always testing the latest and greatest innovations in skincare, from drugstore picks to luxury beauty brands and everything in between, to find the best products in the world that are actually proven to work. facial Hair remover replacement heads for Flawless Finishing Touch facial Hair removal tool for Women As Seen On TV 6 Count. Best overall: Finishing Touch Flawless Facial Hair Remover - See at Amazon. We carefully reviewed this article in May 2023 and stand by our top-rated picks.Īs anyone who's ever perused the aisles of their local drugstore or beauty supply chain can tell you, finding the best skincare products is hard. 1 day ago &0183 &32 The best tools for facial hair removal. ![]() ![]() Ford tells Engadget there are "no plans" to bring the Explorer EV to North America, and that the conventional Explorer will still be on sale worldwide. Don't expect a launch elsewhere, unfortunately. While final pricing will have to wait, Ford expects the line to start below €45,000 (about $48,500). The company is taking reservations for base Explorer and higher-end Explorer Premium trims now ahead of a release later this year. However, Ford claims you can charge from 10 percent to 80 percent in a relatively quick 25 minutes. Most performance specs aren't yet available, including range. The five cameras and three radar sensors provide Ford's usual range of driver aids, although this is the first time Europeans will have access to features like Assisted Lane Change (which changes lanes through a stalk press). Wireless phone charging is standard, as is wireless Android Auto and Apple CarPlay. The automaker also takes advantage of the electrified design to provide a massive amount of console storage space (enough for a 15-inch laptop) and a private "locker" for valuables. You also won't find the physical knob from earlier Ford EVs. ![]() The 15-inch vertical touchscreen will seem familiar, but it slides up and down - you won't have to settle for an awkward position. Notably, it also includes a few technology features you won't even find in higher-end Ford EVs like the Mustang Mach-E. It's relatively compact (under 14.8ft long versus 16.6ft for the gas SUV) and offers creature comforts like "sporty" seats. The company has unveiled an electric Explorer that's "designed for Europe" and as suited to tight city streets as it is weekend jaunts. Ford has finally shown the medium-sized electric crossover it teased last year, and it might not be what you expect. ![]() ![]() ![]() One tell-tale sign you've encountered a dirty soda is the appearance of a clear plastic cup that boasts colorful liquid, swirling cream and pebble ice. And you'll be hard-pressed to find a soda shop with a menu that doesn't serve some variant of sugar cookies and pretzels. (Any time you add anything to soda, it’s considered “dirty,” Tanner told TODAY.) Head to Sodalicious for a taste of “2nd Wife” (Mountain Dew, fruit syrups, with a shot of half-and-half) or “Sugar Daddy” (another Mountain Dew drink mixed with raspberry, mango, pineapple, vanilla and half-and-half). Check out a location and you’ll be met with tongue-in-cheek nods to LDS culture, which are unabashed, sometimes surprisingly sexually intimated.Īt Swig, for example, there’s “The Founder,” a drink made of Diet Coke, sugar-free coconut, fresh lime and coconut cream. ![]() Offshoots with names like Sodalicious, Twisted Sugar and Fiiz cropped up across Utah soon after and have expanded across the country. ![]() According to The New York Times, after brainstorming possible business ideas, Tanner was inspired by a trip to the drive-in fast-food chain Sonic to develop a drive-by soda shop. Who gets credit for creating the beverage remains up for debate, but Swig, a pioneer in the dirty soda world, was founded by Nicole Tanner in 2010 in Saint George, Utah. According to the New York Times, some drinks pack as many as 1,000 calories. With many members now quenching their thirst with cans of cola, the demand for bubbly beverages - like dirty soda - erupted. It’s no coincidence that the drink became a mainstay of the Utahan zeitgeist around the same time. In 2012, however, the church clarified that its health practices do not mention the use of caffeine. Historically, members of The Church of Jesus Christ of Latter-day Saints (LDS) have adhered to church doctrine, which requires them to abstain from " hot drinks" like coffee and tea. Swig's menu includes cheekily named drinks like Life's a Peach, which includes Dr Pepper, vanilla, peach and half-and-half. They're concoctions made of a soda of your choosing, cream, sometimes fruit, and flavored syrups like vanilla or cranberry and, according to some, a believer’s godsend. Imagine a cross between a Shirley Temple and an egg cream. If the player got the effects before dying, they will also recieve the mad lad badge.Called "dirty soda," the carbonated drinks have become an all-out craze on the social media platform. Upon a player's death, an audio clip of a sniper will be heard along with a hit marker sound, implying the player was no-scoped, therefore killing them.
![]() We’ve listened to Google Play Music user feedback and recently introduced additional new features to YouTube Music for fans to enjoy. Official Playlists: Listen to thousands of official playlists from both YouTube Music and Google Play Music.Recommendations: Discover new music through YouTube Music’s home screen recommendations and personalized mixes - My Mix, Discovery Mix, and New Release Mix - based on taste, location, time of day and Play Music preferences after transferring. ![]() Listen everywhere: Explore YouTube Music’s audio-first music app, desktop and smart speaker experience.Catalog: YouTube Music offers over 50 million official tracks, albums and high quality audio, as well as deep cuts, B-sides, live performances, and remixes you can’t find anywhere else.A bit more on what YouTube Music has to offer: ![]() Your New Home For Music: YouTube Musicįor listeners new to YouTube Music, the streaming service is your personal guide to the world of music, simply organized in an app and web player. We’re looking forward to Google Play Music users transferring their libraries, so they can begin listening and exploring on YouTube Music and Google Podcasts. Google Podcasts is our dedicated podcast player available for free on Android and iOS, and accessible from Google Assistant, Google Search, Google Home and more. Your updated recommendations will appear immediately on the YouTube Music home screen, and we’ll notify you via email and notifications when your music library transfer is complete and your music is in the “Library” tab.Īnd if you’re a podcast listener, you can visit this web page and transfer your subscriptions and episode progress to Google Podcasts with a single click.Click on the transfer button in YouTube Music, and your uploads, purchases, added songs and albums, personal and subscribed playlists, likes and dislikes, curated stations and personal taste preferences will move right over.Download the YouTube Music app ( iOS/ Android).Music fans will be able to start the transfer process of their music library to YouTube Music by following these simple steps: ![]() All Google Play Music users will soon receive an email with detailed instructions on how to begin transferring your full Google Play Music history and content, as well as podcasts, to their new homes. ![]() We know many listeners have spent a lot of time creating their perfect music and podcast libraries in Google Play Music, so we’ve made it simple to move both to their new homes. We want to ensure everyone has time to transfer their content and get used to YouTube Music, so we’ll provide plenty of notice ahead of users no longer having access to Google Play Music later this year. Starting today, we’re excited to officially begin inviting Google Play Music listeners to effortlessly transfer their music libraries, personal taste preferences and playlists to YouTube Music, their new home for music listening and discovery.įor now, users will continue to have access to both services. Over the past few years, we have enhanced YouTube Music to deliver a comprehensive listening experience, and have also added features to make Google Play Music users feel right at home. ![]() ![]() ![]() Investments and interest in the food sector have contributed to a growth in food entrepreneurship across the United States. Kitchen incubators, also known as culinary incubators, also provide kitchen rental but can provide additional services like business development training, and access to services such as legal aid, packaging, label printing, and distribution. A commissary kitchen is an example of a shared-use kitchen that provides kitchen rentals. Food entrepreneurs, ranging from chefs, caterers, food trucks proprietors, bakers, to value-added producers, can benefit from the shared kitchen instead of spending capital to build or lease their own facility. Renters or members can use the kitchen by the hour or day to produce food while fulfilling regulatory compliance. She can also answer questions about quality shelf life testing, regulatory requirements, product development and finding sources for ingredients, production equipment and packaging.A shared-use kitchen is a licensed commercial space that is certified for food production. They must also get approval for their food product through UDAF.”Īllen said those interested in using the Incubator Kitchen can contact her for further information at by calling 43. “Kitchen users are required to have a food handler’s permit and a business license. “Of course, USU students who are taking foods classes have first priority for the kitchens, but there are still time slots available,” she said. “The Incubator Kitchen is ideal for our needs.”Īllen said kitchen use is based on availability. “Nothing else around fills that niche for people who have small businesses like ours who don’t have enough money to build their own dedicated kitchen and don’t have a place to rent,” said Kami. A vendor at the farmers market told the Huntzingers about the Incubator Kitchen, and they have been using it for almost a year. They raise their own bees and were making honey caramels at home under the cottage industry regulations, but in order to sell out of state, they needed a dedicated kitchen for their product. She said there are several regular users of the Incubator Kitchen.Ĭraig and Kami Huntzinger of North Logan use it for their honey product business, Bees Brothers. After six months, they can continue using the kitchens at a charge, rent a restaurant kitchen or get a business loan for their own food establishment once they have experimented and have an idea of how their business will go. The kitchen is inspected on an annual basis, and all entrepreneurs must meet with the UDAF inspector to certify their individual businesses.Īllen said entrepreneurs are not charged for the first six months they use the Incubator Kitchen so they can get a foot in the door. The Incubator Kitchen was certified by the Utah Department of Agriculture and Food on the spot as the inspector toured the facility last October. Allen said it has been beneficial to those interested in testing production on a large scale. In addition to the Incubator Kitchen, there is also an Innovation Kitchen available in the Nutrition and Food Sciences Building where entrepreneurs can experiment with a commercial-sized kitchen. ![]() These kitchens make it so they can mass produce, but it is still at their comfort level.”Īllen said in total, there are seven electric stoves, four gas stoves, a two-tier deck oven, nine five-quart Viking mixers and eight Cuisinart food processors, as well as standard kitchen equipment. “These kitchen units are all regular scale and are what home producers are used to, so they don’t have to jump from a two-gallon mixer to a commercial-sized mixer. “There is too big of a gap from home food production to being able to do it on a large scale, so that’s why the USU Extension Incubator Kitchen was established,” Allen said. ![]() Karin Allen, Utah State University Extension food quality and entrepreneurship specialist, saw the need for the middle stage of business growth, and saw the USU Family Life Building food classrooms with five complete kitchen units as an answer to this challenge. ![]() However, as business picks up and production needs exceed their home space, many aren’t quite ready to go large scale and are left struggling to determine the next step. For many, it works well since they don’t have to pay for a storefront or large-scale kitchen to produce their goods. A growing number of small-business owners are trying their hands at home-food production each year. ![]() ![]() ![]() Release Date: Octo(Vinyl), Novem(CD), Janu/ Janu(Digital)Īlien is a 1979 British-American sci-fi horror film directed by Ridley Scott. The film stars Sigourney Weaver, Tom Skerritt, Veronica Cartwright, Harry Dean Stanton, John Hurt, Ian Holm, Yaphet Kotto. Music by Lionel Newman and Jerry Goldsmith An attempt to start up a street war is launched by a gangland breakaway opposition group, but their leader appears to have an ulterior motive in his actions. Style: Original Motion Pictures Soundtrack Music composed by Jerry Goldsmith and Lionel Newman. We'll take our chances, and blow up the ship.Original Motion Picture Soundtrack (OST) from the movie Alien (1979). I can't lie to you about your chances, but.you have my sympathies. I've heard enough of this, and I'm asking you to pull the plug. A survivor.unclouded by conscience, remorse, or delusions of morality. Its structural perfection is matched only by its hostility. You still don't understand what you're dealing with, do you? The perfect organism. How do we kill it, Ash? There's got to be a way of killing it. I repeat, all other priorities are rescinded. Find album reviews, track lists, credits, awards and more at. What about our lives, you son of a b*tch?! Discover Alien Original Motion Picture Soundtrack by Jerry Goldsmith released in 1979. But we have to stick together.īring back life form. If you think it means killing it, yeah, that's acceptable to me. And then we'll blow it the f*** out into space. ![]() ![]() We'll go step by step and cut off every bulkhead and every vent until we have it cornered. That's the only way! We'll move in pairs. I'm not drawing any straws! I'm for killing that goddamn thing right now! (1979) A working-class Indiana teen obsessed with the Italian cycling team vies for the affections of a college girl while searching for life goals with his friends. Yes! I say that we abandon this ship! We take the shuttle and just get the hell out of here! We take our chances and … and hope that somebody will pick us up! What? And end up like the others? No, no, you're out of your mind! I'm thinking! Unless somebody has got a better idea.we'll proceed with Dallas' plan. How come I don't hear anybody say anything? Breakaway: With Martin Jarvis, Judy Geeson, Glyn Houston, Angela Browne. Then he brought composer Patrick Williams on board. I do take my responsibilities as seriously as you, you know. Release Date: Track Listing From the Manufacturer Track Listing Legend: composed by Patrick Williams contains music composed by Patrick Williams Director Peter Yates temp-tracked Breaking Away with classical music while he and his editor were working on the film. It's, uh, not exactly out of the manual, is it? That's a pretty big risk for a Science Officer. Find the exact moment in a TV show, movie, or music video you want to. Maybe I've jeopardized the rest of us, but it was a risk I was willing to take. Star Trek IV: The Voyage Home (1986) clip with quote -We need breakaway speed. Unfortunately, by, uh, breaking quarantine, you risk everybody's life. What would you have done with Kane, hmm? You know his only chance of survival was to get him in here. You also forgot the Science Division's basic quarantine law. When Dallas and Kane are off the ship, I'm Senior Officer. Well, it's an interesting combination of elements making him. Has a funny habit of shedding his cells and replacing them with polarized silicon, which gives him a prolonged resistance to adverse environmental conditions. collating, actually, but uh, I have confirmed that he's got an outer layer of protein polysaccharides. right up to his shameless opening for yet another sequel. As a brisk, 90-minute exercise in generic thrills, however, Anderson's work is occasionally impressive. This disposable junk should've been better, but nobody who's seen Mortal Kombat or Resident Evil should be surprised by writer-director Paul W.S. ![]() Breakaway, CBS, 1975 - 75,- 41 - Art Garfunkel, Scissors Cut, CBS. Rabid fans can justifiably ask "Is that all there is?" after a decade of development hell and eager anticipation, but we're compensated by reasonably logical connections to the Alien legacy and the still-kicking Predator franchise (which hinted at AVP rivalry at the end of Predator 2) some cleverly claustrophobic sets, tense atmosphere and impressive digital effects and a climactic AVP smackdown that's not half bad. Motion Picture Soundtrack, Portrait, 1979 - 75,- 38 - Alex Phountzi Feat. Predator is an acceptably average science-fiction action thriller with some noteworthy highlights, even if it squanders its opportunity to intelligently combine two popular and R-rated franchises. Genre: Drama Original Language: Filipino Director: Ian. When he turns his back for a minute, he loses his boy. In delivering PG-13-rated excitement, Alien vs. An impoverished single parent, Robert Lim, spends his free time with his son, Brian. ![]() |
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